A Diamond Guitar

author: Truman Capote
rating: 9.2

The men whose cots are nearest the stove are the important men—those who are looked up to or feared. Mr. Schaeffer is one of these. Mr. Schaeffer—for that is what he is called, a mark of special respect—is a lanky, pulled-out man. He has reddish, silvering hair, and his face is attenuated, religious; there is no flesh to him; you can see the workings of his bones, and his eyes are a poor, dull color.
He can read and he can write, he can add a column of figures. When another man receives a letter, he brings it to Mr. Schaeffer. Most of these letters are sad and complaining; very often Mr. Schaeffer improvises more cheerful messages and does not read what is written on the page. In the sleep house there are two other men who can read. Even so, one of them brings his letters to Mr. Schaeffer, who obliges by never reading the truth. Mr. Schaeffer himself does not receive mail, not even at Christmas; he seems to have no friends beyond the prison, and actually he has none there—that is, no particular friend.

It could be said of Mr. Schaeffer that in his life he’d done only one really bad thing: he’d killed a man. The circumstances of that deed are unimportant, except to say that the man deserved to die and that for it Mr. Schaeffer was sentenced to ninety-nine years and a day. For a long while—for many years, in fact—he had not thought of how it was before he came to the farm. His memory of those times was like a house where no one lives and where the furniture has rotted away. But tonight it was as if lamps had been lighted through all the gloomy dead rooms. It had begun to happen when he saw Tico Feo coming through the dusk with his splendid guitar. Until that moment he had not been lonesome. Now, recognizing his loneliness, he felt alive. He had not wanted to be alive. To be alive was to remember brown rivers where the fish run, and sunlight on a lady’s hair.

It was hard work, digging at frozen clay and carrying croker sacks filled with broken stone. The guard had always to be shouting at Tico Feo, for he spent most of the time trying to lean on things.

Most of the men did feel a love for him; they waited for and depended upon the hour between supper and lights out. “Tico, play your box,” they would say. They did not notice that afterward there was a deeper sadness than there had ever been. Sleep jumped beyond them like a jack rabbit, and their eyes lingered ponderingly on the firelight that creaked behind the grating of the stove. Mr. Schaeffer was the only one who understood their troubled feeling, for he felt it too. It was that his friend had revived the brown rivers where the fish run, and ladies with sunlight in their hair.

At the time he was deeply mortified, not because he knew the other men were laughing, but because he thought of Tico Feo seeing it. But he cut it out of the paper anyway, and keeps it in an envelope along with several clippings pertaining to his friend: a spinster woman told the authorities he’d entered her home and kissed her, twice he was reported seen in the Mobile vicinity, finally it was rwelieved that he had left the country.

Now it lies under Mr. Schaeffer’s cot, where its glass diamonds are turning yellow; in the night his hand sometimes searches it out, and his fingers drift across the strings: then, the world.